The Red-Haired Woman by Orhan Pamuk
I don’t read much
nowadays which is something I regret. Besides my day job, I have
several side projects and rarely do I have my evenings free. The only
time I am able to read is when I am traveling. On a recent road trip to
Toronto, I was able to read “The Red-Haired Woman” by Orhan
Pamuk. If you are reading this, please note this warning “Spoiler
alert!”. This post will give away what happens in the book, so if
that stops you from reading a book, please go no further!
Despite the title,
the book is about father-son relationships. The book portrays Cem
from his boyhood years until his middle age when he is murdered. As a
boy, Cem’s father was largely absent, either because he was
arrested due to his left-wing political activities or because he was
a womanizer. Though he resents his father for the hardship he and his
mother had to endure, his feelings for his father don’t border on
hatred. His father was not a hard man and was never harsh to him or
his mother. As an aspiring writer, Cem in his youth read fairly
prolifically and one of his favourite stories was of Oedipus.
Somehow, I feel that is how the book begins, he could not relate to
his father as Oedipus did to his.
The story of Oedipus
is as follows. Oedipus was married to the king and queen of Thebes.
The king heard a prophecy that his son would one day kill him and
marry his wife. Fearing this prophecy, the king asked someone to take
away the baby and leave it somewhere to die. However, the person
given this task took pity on the baby and instead handed the baby
over to someone else until finally the baby ended up being adopted by
the king and queen of another kingdom. As Oedipus grew, he found out
about the prophecy, and not knowing that he was adopted, feared he
would end up killing his adopted father and marry his adopted mother.
He left the kingdom and set forth for Thebes not knowing that Thebes
was where his parents really where. He kills an unknown man on the
way and reaches the kingdom to find that the kingdom was being held
ransom by a monster in the absence of the king. He solves a riddle,
and defeats the monster. With this, he is made the king of Thebes and
marries the queen. This fulfills the prophecy as he has now married
his mother without knowing it and also unknown to him, the stranger
he kills on the way was the king of Thebes, his own father. Later,
the kingdom is again at the mercy of a plague, to solve which he must
find out the killer of the previous king. He finds out that he
himself killed the king without knowing it. His mother realizes the
prophecy has come true, and hangs herself while he seizes two pins
from her dress and blinds himself.
When Cem is working
as a well-digger’s apprentice, he strikes an almost father-son
relationship with the well digger who is referred as Master Mahmut.
Initially, the relationship is cordial, with Mahmut training Cem, and
also telling him stories which he has adapted from religious texts.
Most of the story-telling happens at night before they sleep in their
tent. One night, Mahmut asks Cem to narrate a story and Cem recites
the story of Oedipus. Mahmut, being religious, didn’t like the
story and shows his disapproval to Cem. At this point, I feel, their
relationship took a turn. Mahmut tells Cem, how he feels any
father-son relationship should be, though it is so ideal that it is
impossible. Mahmut then tells him the story of Rostam and Sohrab.
In this story,
Rostam was a king in Persia who has a son but his wife does not want
the son to be taken away to battle so she sends the baby away before
Rostam finds out he has a son. The son Sohrab, just like Oedipus ends
up being adopted in a rival kingdom in Persia. When these two
kingdoms come to war, father and son now find themselves as rivals
without knowing it. Sohrab almost kills Rostam, but Rostam tricks him
into letting him go. In the next battle Rostam kills Sohrab but soon
finds out that Sohrab is his own son and grieves for him.
At this point, Cem
draws the conclusion that all father-son relationships can be broken
down into Oedipus types or Rostam-Sohrab types. In one, the father
wrongs the son by intending the son die as a baby while in the other,
the father does not know about the son’s existence. In one, the son
kills the father not knowing it, while in the latter, the father
kills the son not knowing it either. In the first, the son then
punishes himself for killing his father, while in the latter, the
father is heartbroken to find that he has killed his son.
As the digging of
the well progresses badly without finding any water, Mahmut’s
behaviour towards Cem gradually turns nasty. During an accident, Cem
believes he has killed Mahmut. In the book, Cem’s fear is that he
will be arrested for the murder and his poor mother would be all
alone. For this reason, he flees to his mother. But I feel, the
reason why he flees, is because he feels he has become an Oedipus and
killing Mahmut was inevitable as Mahmut was not proving to be the
benevolent protector Mahmut feels any father should be towards his
son. Cem’s fleeing to his own mother was to comfort himself that he
might not through some accident end up in the arms of a woman who
might have been like a wife to Mahmut though Mahmut never married.
The night before the
accident, is where the red haired woman comes into Cem’s life. The
red haired woman is a theater performer with a leftist group that
tours the country. The night before, he sees the red haired woman in
the scene of Rostam and Sohram as she being the mother of Sohrab
grieves for her dead son. Watching that scene and gripped by the
emotion she shows on stage, Cem is fascinated by the story of Rostam
and Sohrab. Later that night, Cem ends up sleeping with the
red-haired woman before coming back to his tent shared with Mahmut in
the early hours of the morning.
So thus I suppose
the title “The Red-Haired Woman”. She opens up that fascination
of father-son relationships in Cem and his later visits to museums
all over the world to look at paintings of the scene when Rostam
kills his son Sohrab. Cem later goes to university, marries and
embarks on a life of a successful engineer and then as a businessman.
However, he and his wife never have children, which further increases
his fascination for the stories of Oedipus and Rostam-Sohrab.
Much later, he
receives a communication from someone claiming to be his son. It
turns out to be true as the son is from the red-haired woman he slept
with when he was a teenager. And here is where Orhan Pamuk turns out
to be a master storyteller. Gradually, he unravels how the red-haired
woman through her association with leftist groups was once the
mistress of his own father during his days of leftist politics. With
this, one part of the Oedipus story comes true as he realizes by
sleeping with his father’s mistress he has unknowingly slept with a
mother-figure.
Many wise people
including Cem’s own current wife advise him to make no contact with
his son. He however, ends up going back to the city where worked as a
well-digger’s apprentice and where the red haired woman and her son
still live. He meets the red-haired woman who tells him about
herself. He finds out that Mahmut the well digger did not die from
the accident but was merely injured. He continued digging the well
and eventually found water. Mahmut was considered a saint in the city
later for bringing water to the city dwellers. Cem can’t resist
visiting the site of the well again and asks if the red-haired woman
could help in leading him to it.
As I read this last
part of the book, I was racing through the lines, as I thought to
myself “Could he really be this stupid?”. The red-haired woman
asks a young man to escort Cem to the site of the well. Cem almost
knew something was about to happen as he brings with him his pistol
which was legally allowed to possess being a businessman who might be
a target of violent crime. As the young man escorts him to the well,
the conversation gradually becomes accusative with the young man
attacking Cem for a multitude of reasons – leaving Mahmut at the
bottom of the well to die, for being an atheist. The young man
finally reveals himself as Cem’s son and expresses his intent on
killing Cem by throwing him into the well to die the way he did to
Mahmut. Cem tries to protect himself with his gun but his son
eventually kills him.
I suppose Cem knew
one of them was going to die at the site of the well and his son
would appear. Cem had lived all his life with Oedipus on one side and
Rostam-Sohrab on the other. And he couldn’t resist to ask this
question even if it meant costing his life or his freedom “What
would his son be? An Oedipus or a Sohrab?” Would his son kill him
only to regret later or would his son let Cem kill him?
It turns out his son
was an Oedipus. Enraged that Cem never replied to his first
communications or tried to reach out to him, this made Cem’s crimes
of abandonment even worse. In this case, Cem did not know about his
son’s existence unlike Oedipus’ real father. But Cem abandoned
the city once he fled after thinking he killed Mahmut. Would that be
seen as the same abandonment that Oedipus’ father was guilty of?
Rostam however never knew his son existed because his wife had the
baby sent away. So initially, Cem was like Rostam but he was later to
find out but still chose not to acknowledge his son. So Cem did turn
into a figure similar to Oedipus’ father.
Another masterpiece
by Orhan Pamuk. Unfortunately, unlike “Snow” there are not too
many quotes that are memorable. But it has a story line that will
make you think for days after you put down the book.
Comments
Post a Comment